Creative Music Guild presents Blue Cranes and Kneebody Nov 8, 2013

Fri, 11/08/2013 - 8:00pm - Sat, 11/09/2013 - 12:00am

Kneebody is keyboardist Adam Benjamin, trumpeter Shane Endsley, electric bassist Kaveh Rastegar, saxophonist Ben Wendel and drummer Nate Wood. The band has no leader or rather, each member is the leader; they’ve developed their own musical language, inventing a unique cueing system that allows them each to change the tempo, key, style, and more in an instant. Since Kneebody’s formation in 2001, each member of this Los Angeles-based quintet has amassed an impressive list of credits and accomplishments over the years all while the band has continued to thrive and grow in reputation, solidifying a fan base around the world

Kneebody draws upon influences spanning D’Angelo’s Voodoo to music by Elliot Smith, Bill Frisell, and Miles Davis. Their live shows are known for intense sonic landscapes of the Radiohead ilk, for the rhythmic bombast of a Squarepusher or Queens of the Stone Age show, and the harmonic depth and improvisational freedom experienced at a Brad Mehldau concert. Their fourth album, The Line, was released in September 2013 on Concord Records. (

Since their formation in 2007, Blue Cranes have become a key player in the Portland, Oregon creative music/DIY scene and one of the most exciting groups to keep tabs on in the Northwest. They’ve developed a singular musical voice grounded in melody and explosive improvisations—marking off their unique microcosmic territory in “post-jazz” circles.

The members of the quintet—Reed Wallsmith on alto saxophone, Joe Cunningham on tenor saxophone, Rebecca Sanborn on keyboards, Jon Shaw on bass, and Ji Tanzer on drums—bring a unique array of experiences to their group-centered aesthetic, including work with AU, The Decemberists, Laura Veirs, Wayne Horvitz, Rebecca Gates, Laura Gibson, Ethan Rose, Ezra Weiss, Black Prairie, and Portland Cello Project.

In June 2013, the band took an evolutionary step forward with the release of Swim, their fourth full-length album, on the Washington, D.C.-based Cuneiform Records.  Swim is a departure from Blue Cranes' previous, and in some ways simpler, albums. Steered dutifully by producer Nate Query of The Decemberists, it is a window into the sometimes messy emotional space of a group struggling with and celebrating the ephemeralness of life. This work is the culmination of several between-album projects, including a 30-day crowd-sourced Amtrak train tour in 2011, and a seven day group composition retreat, supported in part by a grant from Portland’s Regional Arts and Culture Council. However, the heart of Swim lies in indelibly profound life events—the passing away of two dear friends, a serious injury, two weddings, and the birth of a child—events at tragic and uplifting extremes, both cathartic and celebratory. ( ).

The Creative Music Guild is a Portland, Oregon all-volunteer, non-profit organization whose mission is to promote experimental, improvised music by presenting concerts, workshops and other events that bring together internationally recognized musicians with local performers, audiences and music students of all ages. For over twenty years, the CMG has been a leader in cultivating Portland’s experimental and improvised music.

Confluence, our visiting artist series, is where the CMG started back in 1991 with bringing the best improvisers in the world to Portland. We present 6-8 concerts a year by artists from all over the world at venues around Portland. Our programming committee carefully curates this series taking into account diversity (both musical diversity as well as gender & ethnic diversity), quality and recognition (extremely high quality of craft is a given and some degree of critical and/or community recognition within the creative improvisation scene is crucial) and the ability of the musicians to come to Portland without our help (we generally don’t get involved in concerts that would happen without us).

The Outset Series provides an opportunity for local improvising musicians to get in front of an audience in a non-commercial venue with a completely attentive audience that is dedicated to creative, improvised music. This is the only regular series in Portland that features experimental, improvised music in front a live audience.

Upcoming CMG Shows:

1. November 6 - Jennifer Robin & Jake Anderson, Jordan Dykstra & Tom Blood

2. Nov. 8 -  Kneebody, Blue Cranes, Alberta St Pub, 7 doors, 9 show $15. 21+,

3. Nov 17 - Peter Brotzmann/Paal Nilssen-Love duo and 1939 Ensemble (confluence)

4. Nov 20 -  Jesse Mejia (confirmed), Scott Cutshall's Phrasology Quartet, "2 Up/2 Down" Plays the Music of Monk. John Gross-Tenor Saxophone, Tim DuRoche-Drums, Tim Willcox-Tenor Saxophone, Scott Cutshall-Drums

5. December 4: Lisa Schonberg, Lori Goldston, Roro, Ti Femme

6. December 14: Untoward (a CMG benefit) - Dragging and Ox Through Water, Marisa Anderson, Paper Upper Cuts, Grammies

7. December 18: Outset: Moongriffin/Bernstein Duo, lee elderton
Alberta St. Pub, 1036 NE Alberta St.<br /> <br />
(503) 284-7665


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