Just sharing a short fun text I'll be working on with Jessie Isaac
(flute), who will be playing something by Satie, yet to be determined
(I'm hoping for Trois marceaux en forme de poire which Satie did for a
dada festival in Paris in 1923, but that's up to Jessie and what he
wants to do ... and what scores find).
When I worked with him in 2001, Jessie tended to prefer performing live
on the air, so that's probably how we'll do it, perhaps tucking it into
the Cabaret which can use more music.