The next exhibition at the White Box will be COLLECT FOUR: Scenes From Portland’s BleedingEdge. This show includes four artists and is curated by Jesse Hayward. He is the subject in this interview.
Hayward claims: "The artists in this show are all, first and foremost, collectors. Ben collects moments. Jason collects motif. Midori collects abstractions while Matt collects simplicities. They are earnest. They emphasize the clean and clear display of their artwork. These are not artists who confuse, misdirect or rely on trickery for effect. These are artists who sample first and filter later. Their early careers run parallel as well.
In March Centrifuge, a group show curated by Chroma, opens at the Art Institute of Portland. Centrifuge explores links between art and architecture. We had the curators Jennifer Porter and Martha Wallulis, plus Caitlin Moore from the Art Institute of Portland on the radio about the upcoming exhibition.
John Motley contributes pieces to the Oregonian, Art Papers and other publications. He’ has just published a collection of critical essays that were developed alongside exhibitions at Fourteen30. The book is called Stay Time. Originally published as a series of limited edition broadsides, available only at the gallery, these essays examine the work of emerging artists from Portland, Los Angeles, and beyond.
This is an interview with Cris Moss, who curates at Linfield College. Opening this month is Bearing Witness: Daniel Heyman. Heyman is a storyteller. The exhibition features portraits of individuals who have endured great personal hardship — former Abu Ghraib detainees, African-American fathers who have been in and out of jail, and new immigrants to the United States. Linfield will also host a public Frazee Lecture with Daniel Heyman in Ice Auditorium on the Linfield campus Tuesday, April 5, from 7:30–9 p.m.