Host Ed Goldberg interviews Kat Richardson, author of Underground, a detective horror hybrid set in Seattle. Kat Richardson is a cross-genre writer, creating a combination of Science Fiction/Fantasy and Mystery/Crime no matter how hard she tries to write something else--although she has tried her hand at a bit of almost everything else.
Host Theresa Mitchell speaks with Jack D. Forbes, author of "Columbus and Other Cannibals." Forbes is professor emeritus and former chair of Native American Studies at the University of California at Davis. He was instrumental at the start of the Native American Movement in 1961, and went on to found Native American Studies programs across the country as well as an indigenous university.
Host/Producer Dmae Roberts features "Turn of the Screw” written by Henry James is one of the most haunting classic novels of the 19th century. Portland Opera is mounting a magnificent production with music by Benjamin Britten on Feb. 6th complete with a chamber orchestra and one of its largest casts... Dmae talked with the ghosts in show.... Ryan Macpherson who plays Peter Quint, Mary Phillips who plays Miss Jessel.
Michelle and Kathleen host a quick look at recent really good non-fiction books, many political. The show includes short samples of interviews with authors on a variety of topics including the redistribution of wealth, voluntary simplicity, surviving a right-wing fundamentalist reform school and facts and fictions of the human species.
For the first time in three decades, Pulitzer prize-winning graphic novelist Art Spiegelman (Maus) has gathered his early groundbreaking comics into one volume. The new edition of Breakdowns: Portrait of the Artist as a Young %@&*! includes a new graphic memoir opening a window into both a personal and cultural history of the late 20th century.
Art talks with S.W. Conser and Bill Dodge about comics as high art, breaking the media censorship of the Danish Muhammed cartoons, and creating picture books for children and grownups.
Pete Seeger and Bruce Springsteen sang this song, which included some rarely heard verses, in front of Obama and the nation at the Inauguration celebration, January 19. Here is one of those verses as sung by its composer, Woody Guthrie himself, in 1944 together with some commentary by Clayton Morgareidge.